【作者简介】于佳煖，南开大学社会学院社会学系

【文章来源】《社会学评论》2025年第5期

【内容提要】本文基于对旅德华人音乐家的研究，提出“观念-关系”互构的理论模型。倾向于采用中国风格的音乐家因其鲜明的文化特色而更易与商业及政府机构建立关系，由此内化“大众化的古典音乐”观念，发展为“跨界大众派”音乐家。而回避中国风格的音乐家则更可能因其抽象且先锋的风格而获得学院专业精英的支持，进而内化“精英化的古典音乐”观念，成为“先锋精英派”音乐家。本文为探讨社会关系与观念结构的相互影响提供了一个分析框架，同时以独特案例拓展了艺术社会学的研究视野。

【关键词】观念 / 关系 / 全球化 / 文化生产 / 古典音乐

【全文链接】http://src.ruc.edu.cn/CN/Y2025/V13/I5/33

The Mutual Construction of Concepts and Relationships:A Study on the Career Development of Chinese Musicians in Germany

Abstract: Taking Chinese musicians in Germany as a case study, this paper proposes a theoretical model of the“mutual construction of conceptual structures and social relationships.”Due to their distinctive cultural characteristics, musicians inclined to adopt a Chinese style in their music production are more likely to build relationships with commercial and governmental institutions. Simultaneously, they internalize the concept of“popularized classical music”and become“crossover populist”musicians. Conversely, musicians who avoid Chinese stylistic elements are more likely to gain support from professional elites in academic settings, owing to their abstract and avant-garde styles. These musicians internalize the concept of “elitist classical music”and become“avant-garde elitist”musicians. This paper offers an analytical framework for understanding the mutual shaping processes between social relationships and conceptual structures, while also enriching the field of the sociology of art through a unique empirical case.